Best performances of 2014

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Michael Hays in “Twelve Angry Men,” Riverwalk Theatre
As Juror #3, Hays was a world-class villain. He prowled the stage like a sentinel hound ready to pounce on any dissenting opinion, and used his intimidating stature to full effect. He stared daggers across the room and — at one point — wielded one with palpable menace.

Jack Dowd in “Clybourne Park,” Peppermint Creek Theatre Co.
Dowd’s characters are always grounded and authentic with a touch of intimidating menace. Here, he played a grieving father with a steely demeanor. Dowd was especially vibrant, balancing unpredictable volatility with heartbreaking tenderness.

Jacqueline Wheeler in “Carrie: The Musical,” Michigan State University Department of Theatre

One of the catalysts for the titular telekinetic teen’s transition from mousy to murderous is her domineering mother Margaret, played here by Wheeler with seething restraint. She is aided by the best songs of the show and juicy dialogue, but Wheeler deftly avoids the pitfalls of overplaying. Wheeler’s approach of a slightly saner, premeditated monster is almost more frightening than the film depiction. She’s an overly protective mama bear with a husky growl to match.

Wendy Hedstom in “Miracle on South Division Street,” Williamston Theatre
As Beverly, the lynchpin of a Polish-Catholic family, Hedstom is a kinetic force that brings all the actors performances together. As the model mouthpiece for mother, Hedstom deftly hides her character’s insecurities behind her bravado, which has a powerful punch.

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