lot of the Lansing City Market and aimed a 24-foot-long wooden crate toward the
Two workers unbolted one end of the crate. The morning sun
caught a gleaming curve. Something very large, sleek and silver was sleeping
inside — something from California.
Was the majestic humpback whale being returned to the Grand
River at last?
The size and shape were right, but the curves were too
smooth. There was only one explanation. Postmodern, interactive sculpture has
come to Lansing.
“Inspiration,” Lansing’s new one-ton bauble, had finally
made its way to Michigan from the California workshop of artist James T.
It took a bit of coaxing, but by the 1 p.m., the curvy
ribbon of stainless steel — a gift from the Lansing 150 Foundation and a roster
of private donors — was bolted to its permanent home between the City Market
and the Shiawassee Street bridge. By late afternoon, the welding and polishing
was done, and the piece already looked at home.
Russell and his crew have installed such swirls all over the
country, but the wide hips of “Inspiration” posed a special problem.
“The only way to get this sculpture here, it was so wide,
was to do it in two pieces,” Russell said.
That meant that the one-ton, 20-foot-high sculpture had to
be welded together at its pointy apex in the City Market parking lot.
There was no time to lose. Even while lying on its side in
the crate, this creation was clearly ready to come out and play. The stainless
steel was already providing inexhaustible riffs of reflection and distortion on
anything that came near it, from wooden slats, to yellow tape, to protective
wadding, to the workers’ faces.
While directing the work, Russell looked more like a
puttering uncle than a temperamental artist. He wandered restlessly, fiddling
with tools and equipment. While the welders set up shop, he methodically picked
up dozens of screws let over from the unpacking of the crate and dropped them
into his Arizona Iced Tea can. He walked to a nearby Dumpster, lifted the lid
and dropped the can inside.
A slow ballet of lifting, balancing and wrangling began. Two
half-ton hunks of metal had to be lined up and welded together precisely and
When the halves were within inches of each other, Russell
shrugged off his methodical shuffle and came alive. He addressed the sculpture
like a boxer, hugging the two halves while his assistants made precisely aimed
Russell has described “Inspiration” as the culmination of a
lifelong artistic passion — the fusion of the male and female “principles.” By
melding a vertical tower with an inviting aperture, Russell has bestowed the
city with conceptual, never-ending sex on the river.
When the subject is raised, Russell’s deadpan face curls
into a grin.
“This is like a climax,” he said.
When the two halves were one, Russell took a rare break on a
“I wanted a small weld,” he explained. He pointed to the
sculpture’s site on the river below. “When we weld it in place down there,
we’ll use an arc welder and we’ll polish the welds, so we have the security.”
“I don’t usually do those things in the field,” Russell
“I choreographed the whole thing, and so far everything’s
gone exactly as I’ve anticipated. We should have it up today.”
But the assembly wasn’t the trickiest part of the job.
“When we erect it and put it in place is the most delicate,”
Usually, Russell’s work goes up in front of a casino, a town
square, or a corporate headquarters, without a natural feature in sight.
“The best thing about this site is the river,” he said.
“It’s great that the Rotary Foundation afforded me the
opportunity,” he said. “It’s a privilege to be here and create a work of art
that’s going to last another 150 years.”
After lunch, a bigger crane lifted the newly fused
sculpture, swung it slowly over the bluff and lowered in into place. Joggers, bikers
and strollers circled around the site with a puzzled glance. Some stopped to
Russell and his crew fiddled with the triangular footings
where 20 bolts, one inch in diameter, anchor the sculpture a foot deep.
The first try was not a success. The feet didn’t match the
bolt holes in the two footings, so the whole sculpture had to be swung around
The crane operator swiveled the sculpture in mid-air,
showing off one of its most striking features: It seems to change shape when
viewed from different angles.
The mid-day sun, at its hottest so far this year, added
perspiration to the inspiration.
This time, the fit was better, but not perfect. The crew
hitched a chain to a nearby tree and tried to winch the sculpture apart so it
would plunk down onto the base.
At the same time, two amused workers were putting finishing
touches on the small plaza built for the sculpture.
“Is it going to fit?” one of them asked a member of
“We’ll make it fit,” came the reply.
After a half-hour, the sculpture’s feet were planted to the
base, but not evenly. There were still unseemly gaps. The crew would have to
shim the space with extra metal plates, weld them down and cover it all with
decorative flashing. Russell went back to the shed and dragged an armful of
C-clamps to the site.
By 5 p.m., the welding and polishing were winding down. When
a brief shower followed the 80-degree heat, “Inspiration” got an instant
welcome to fickle Michigan weather.
Dedication ceremony at 2 p.m. Sunday, May 15, on the Grand River Walkway between Lansing City Market and the Lansing Center; mayor Virg Bernero and sculptor James T. Russell are scheduled to appear.
At 3 p.m. Sunday, a time capsule will be placed inside the "Construction #150" sculpture outside Lansing Community College's Dart Auditorium.