May 23 2012
The Purple Rose theater lights go dark. There is a moment of silence, followed by the sharp crack of a thunderbolt. Seconds later, strobe-lightning reveals movement: a writhing, convoluted Native-American...
May 16 2012
Mixing historic commentary with solos and duets that demonstrate a flexibility of flying fingers, Bob Baldori and Bob Seeley demonstrate a rapid-fire virtuoso versatility, moving effortlessly from one...
art7353
May 9 2012
In the spare spaces of the Riverwalk Theatre black box theater, Richard Frayn’s “Copenhagen” takes us back in time to the beginning of the nuclear age, to the scientists whose abstract...
art7300
April 25 2012
How does a musical that focuses on the stereotype of a blonde woman being a superficial airhead become a substantial piece of theater? In the case of Michigan State University’s production of “Legally...
art7089
March 7 2012
In “Two Beers and a Hook Shot,” we have serious relationship drama presented in a naturalistic style: dark, painful-to-experience material. This is a play about the challenge in a father-son...
art7091
March 7 2012
Keller, who is directing Lansing Community College Theatre’s “Cat on A Hot Tin Roof,” is all noisy nouns and arresting adjectives, punching out her words — “muscularity,”...
art6995
Feb. 15 2012
Up close and personal, in your face and immediate—the Black Box stage at Lansing Community college, one of the most intimate theater spaces in town, is the perfect venue for a tender play about love...
art6946
Feb. 1 2012
It takes a singer with a great voice to bring out the complexities of a well-composed opera. Likewise, it takes an actor with great range to project the nuances of a well-written script
Dec. 28 2011
My take on the best theater of the year is that it took place on the streets, most noticeably with the surge in flashmob theater taking place everywhere and then, more recently, in the Occupy political...
art6569
Nov. 9 2011
Set designer Fred Englegau has created a great, seemingly soothing yet sinister mental hospital ward that is as seriously anal-retentive and super-organized as a Martha Stewart Thanksgiving dinner table,...
art6541
Nov. 2 2011
By TOM HELMA Some people wish, some people dream, others take action. Joe Dickson acts. He also directs, handles lighting and sound, is on the Lansing Civic Players board of directors and is in the process...
art6482
Oct. 19 2011
Playwright Joseph Kesserling puts theater critic Mortimer Brewster at the heart of “Arsenic,” an island of rationality in an ocean of insanity. Adam Bright plays him with a consistently effective...
art6419
Oct. 5 2011
elaborately staged Rube Goldberg set up of an extended fart sequence, complete with slow-motion strobe light and explosive sound effects? Or is it the scene in which a particularly potent potpourri of...
Sept. 28 2011
director Chad Badgero promises that “no situation is simply black or white,” and in “Blackbird," Doak Bloss and Angela Mishler confirm this in a production that leaves the audience emotionally...
art6368
Sept. 21 2011
What is there about this small East Coast state that captivates the country? What makes people yearn for the seriously mean streets of this urban-industrial corridor that parallels the Hudson River? Is...
Sept. 14 2011
One expects children in these roles to be cute and emotionally endearing, but director Jeff Croff (ably assisted by choreographer Elizabeth Todd) has additionally conjured up a high level of professionalism....
art6034
June 29 2011
MacGregor uses humor to illustrate the challenges of a man learning how to be a woman. In Act Two, Gene reemerges as Jean, played now by Rhiannon Ragland
art5954
June 8 2011
Riverwalk veteran Joe Dickson, as down-on-his luck stand-up comedian Eddie McCuen, ultimately wins the contest for most intensely agitated actor on stage, but Bob Murrell and Sarah Sonnenberg, as musical...
May 18 2011
It’s always just a little odd when people writing for Broadway transform gritty, venial life stories into happy-go-lucky, salt-of-the-earth, charmingas-all-get-out-musicals
art5871
May 18 2011
A Here’s a challenging and convoluted notion: Write a one-act play, and then 45 years later write a prequel that helps explain the motivation of one of the central characters