The naked truth about LCC’s ‘Intimate Apparel’

For about two hours, I was engaged with and emotionally attached to people I didn’t know. I traveled through time and across great distances. I laughed, was saddened and felt gut-wrenching heartache. 

Opening night of Lansing Community College Performing Arts’ “Intimate Apparel” was a reminder what good theater is all about. Along with fewer than 50 other masked patrons spread out inside Dart Auditorium, we experienced a mesmerizing production of Lynn Nottage’s acclaimed 2003 play.

The return to live theater — and to a multi-faceted production — was a treat. To witness “Intimate Apparel”s strong cast act on a multi-level stage with detailed props, realistic sound effects and striking lighting felt almost euphoric. 

Anna Hill, Ny’Kieria Blocker, Mary Wardell, Lewis C. Elson, Jamerra Kates and Dillon Smith create distinct voices and personalities for their diverse roles. Their skillful performances offer a clear window into the struggles each character faces.

Ranae Selmeyer designed a raised, interconnected stage with personal spaces for the characters. Anna Sazbo adorned the platforms with props that suited an early 1900s’ setting — including an antique Singer treadle sewing machine.

Sounds of sewing and recordings of ragtime piano playing by Kallie Marrison were some of the ear-catching sound embellishments manipulated by Heath Sartorius.  Dramatic lighting by Bob Fernholz set perfect moods for the moody play.

With a title like “Intimate Apparel” — and a story of a strong but struggling Black seamstress — costumes are indeed a focus of the play. In fact, projections of various fabric names appear above each scene. Chelle Peterson — who is also the hair stylist — rises to the undertaking by designing an impressive, ever-changing wardrobe. 

Detailed corsets, a silk smoking jacket and a satin wedding dress are sights to behold. And no costumes include any modern shortcuts like snaps, zippers or Velcro.

Director May Job keeps “Intimate Apparel” moving so there is never a dull spot or prolonged transition between scenes. She keeps us focused on “Intimate Apparel”s powerful reminders of how women — and women of color in particular — are dominated by men.  

It is a play about a variety of constraints and different kinds of intimacy. What love is, how religion can stifle love, physical love and love between those of the same gender are all touched on. The themes of “Intimate Apparel” are certainly — and regrettably — still relevant.

LCC’s production has it all. “Intimate Apparel” is emotionally and sensually appealing.  Each cast member delivers a potent performance. The set, special effects, and costumes are exceptional. The script is well crafted. 

The only thing missing on opening night was a well-deserved, larger audience.

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